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disability aesthetics, crip killjoys, wilfulness
The purpose of this paper is to discuss the representations of disabled bodies on the basis of Niko von Glasow’s documentary film NoBody’s Perfect. Drawing on disability aesthetics (Siebers, 2006) and the notion of crip killjoys (Johnson & McRuer, 2014), it is argued that representations of crip killjoys and their unruly corporeality offer an aesthetic and political context in which the politics of disgust and resentment can be challenged (Hughes, 2015; Soldatic & Meekosha, 2012).
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